The organ was originally built by Samuel Renn in 1835. It had two keyboards with one pedal stop, and stood in the west gallery.
Renn was a local organ builder (after serving his apprenticeship in London). He had premises in Stockport and Manchester where he designed a factory system for producing church organs, so they were built in the factory to a standard specification and then installed in the church.
When the church was reordered c.1896, the organ was rebuilt and enlarged by Alexander Young - a leading Manchester organ builder of the day. A third keyboard was added. The organ was moved to the east end of the northern gallery and Renn’s case was enlarged with side-wings to accommodate the extra pipework. It appears that Young replaced all of Renn’s pipework - only his case remains.
In 1956-1957 the organ was rebuilt by Wilkinson. & Sons of Kendal. At this time the action was electrified with a detached console. There were some minor tonal alterations to the stop list, but it remained essentially a ‘Young organ’.
In the 1960s Rushworth & Dreaper (Liverpool) took over Wilkinsons, and looked after the organ until around 2000. We don’t think they did any substantial work on the instrument.
By 2000, the forty-year-old electrics were becoming unreliable. Henry Grove from Nottingham quoted to renew all the electrics, for minor tonal operations - an 8ft Dulciana was converted into a Fifteenth - and cleaning. The console was rotated to allow the organist to see into the church.
2015 - Clive Sidney (Dereham) - replaced the departmental pistons and supplied six general pistons with a setter and general cancel.
There are 99 channels.
Now, in 2024, the organ is in need of repair or replacing. Lots of pipes are ‘off speech’ particularly in the pedal division, stop mechanisms are tired, leatherwork is perishing, some large broken pipes are leaning and resting on others, and there is a serious intermittent issue with regulating the wind. This wind regulation virtually renders the organ unusable when it occurs. Significant parts of the organ are inaccessible for routine maintenance.
Our present organ builder, Brian Jones, does a sterling job, but in the not-too-distant future, decisions about the organ’s future will have to be taken.
A report from an organ builder of national repute estimated that we would need to raise £250,000, and said if we had that sort of money, not to waste it on that organ!
Meanwhile, thanks to Brian, we stagger on!
The Console
Organ Specification
Great Organ (9 stops, 549 pipes)
Lieblich Bourdon 16
Open Diapason I 8
Open Diapason II 8
Hohl Flute 8
Principal 4
Harmonic Flute 4
Twelfth 2⅔
Fifteenth 2
Tromba 8
Swell Organ (enclosed) (8 stops, 598 pipes)
Open Diapason 8
Lieblich Gedackt 8
Salicional 8
Voix Celestes (TC)
8 Gemshorn 4
Mixture III (15.19.22)
Contra Oboe 16
Cornopean 8
Swell Octave
Swell Sub-octave
Swell Unison Off
Choir Organ (enclosed) (6 stops, 305 pipes)
Violin Gamba 8
Gedackt 8
Flute 4 (stopped)
Fifteenth 2
Clarinet 8 (TC)
Tromba 8 (Great)
Choir Octave
Choir Sub-Octave
Choir Unison Off
Pedal Organ (6 stops, 88 pipes)
Acoustic Bass 32 (rank A)
Open Diapason 16 (Wood. Rank B)
Sub Bass 16 (Rank A)
Bourdon 16 (Great)
Principal Bass 8 (Rank B)
Bass Flute 8 (Rank A)
Swell to Pedal
Great to Pedal
Choir to Pedal
Accessories
4 thumb and toe pistons to Swell
4 thumb and toe pistons to Great & Pedal
3 thumb pistons to Choir
6 General pistons
Reversible thumb and toe pistons:
Swell to Great
Great to Pedal
Setter piston (99 channels)
General cancel
Manual compass: 61 notes
Pedal compass: 30 notes (radiating & concave)
Stop type: Stopkey
Key & stop action: Electro pneumatic
Balanced expression pedals
29 stops
1537 pipes
Some of the pipework inside the organ case...
• Pipes the size of a pencil sounding very high notes.
• Pipes with stoppers in the top and pipes without (a stopper makes the pipe sound an octave lower and alters the tone quality.
• Wooden pipes which produce a flute tone.
• Collars near the top of some pipes which slide up or down to tune them.
See the pipes in the bottom left corner of the image below. Their sound is produced by a thin brass tongue vibrating in the wind when the key is pressed. - the same principle as a clarinet. This is the Tromba stop which sounds like a very loud trumpet.
Organists
Organist Timeline
Appointed
1885 James Pollard A.R.C.O.
1941 James Cochrane
1958 Douglas Pollard
1961 Frank Woolfenden
2008 Tim Hawkins G.L.C.M., L.L.C.M. (T.D.), L.R.A.M.,
James Pollard A.R.C.O.
Our present Organist...
St. George's Music Staff
Tim Hawkins graduated with distinction from the London College of Music in 1985 winning the Westminster prize for keyboard harmony. He studied the organ with Gordon Phillips. A one-year postgraduate year at Reading University led to a career in secondary school music teaching, and at different times, head of department, head of year, pastoral manager, and teacher trainer.
After thirty years of service, Tim took early retirement to allow more time to teach privately and pursue other projects.
Following appointments as organ scholar (St. Faith, Lee-on-the-Solent, Hampshire) and assistant organist (Holy Trinity, Gosport, Hampshire), he has directed the music in St. Peter’s Titchfield, Hampshire, St. John, Notting Hill, and St. Mary Disley, Cheshire before coming to St. George’s.
Tim was formerly an examiner for the Royal School of Church Music and holds diplomas in organ teaching and performance.
Tim Hawkins - Organist & Director of Music
Carolyn Hawkins - Sub Organist
Mair Cornforth - Assistant Organist
Tim Banham - Assistant Organist